Monday 27 June 2011

Sunday Herald- File Under Fiction

Not our finest review so for but by no means bad... I'd go as far as saying it's fairly even handed even though I'm described as being both insincere and not intelligent enough to spot when I'm ripping the piss.

Findlay Napier & The Bar Room Mountaineers
File Under Fiction
(Watercolour)
Findlay Napier is not a happy bunny. Whereas Paul Simon got slandered, libelled, heard words he never heard in the Bible and still managed to sound like a choirboy, Napier has been ditched, stood up, locked out and sleep deprived and wants his listeners’ guts for garters. Mr Grumpy is only a persona Napier affects on certain songs but its sneering, bitter shoutiness – closer to the punk rock ethic than the Scottish song tradition he studied at the RSAMD – tends to make his more reflective moments sound insincere. This is a shame because Napier and his offstage writing partner, engineer and producer Nick Turner, bring genuine songcraft and wit to their creations; the tracks on this latest collection are sympathetically arranged, punchy and well played with a certain pop-crossover potential. File Under Fiction, with its clever, literary punning, for example, follows in the Difford & Tilbrook tradition but, as with others, Napier’s delivery makes it even funnier, one suspects, than intended.

Rob Adams- The Sunday Herald

Saturday 11 June 2011

Scotland on Sunday- File Under Fiction Review

FINDLAY NAPIER AND THE BAR ROOM MOUNTAINEERS

File Under Fiction

**** (4 Stars)

Watercolour Music WCMCD042, £13.99


This album boasts clever lyrical lines, interesting contemporary, semi-acoustic, rocking arrangements and a rake of subject matter, from the eponymous lonely librarian's emotional frustration to a stalker's skewed imagination. If there is too much shouted singing for this reviewer, it just means he's of the vintage to remember when rock'n'roll first emerged and meant more. But hats off to them – they're courageous and creatively skilled.

Download this: Waiting in the Wings

Review by Norman Chalmers